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University

Reflections of a 49-year-old Intern

Tim DykeFor the past two years, Tim Dyke has been one our wonderful Education Interns. He's recently graduated from The University of Arizona with his MFA in Fiction, and will be returning to his Hawaii homeland to teach. We will miss him dearly.          

Even if I am the world’s oldest intern, I still am glad that I have had the opportunity to work at the Poetry Center for the past two years. In the spring of 2010, I made the decision to leave Honolulu, Hawaii, where I had lived and worked as a high school English teacher for 18 years. I would travel to Tucson, AZ, a place I’d never been before. I’d enroll in the Creative Writing graduate program to pursue an MFA degree in fiction writing.  In order to augment my funding support, I applied to be an Education Intern at the University of Arizona Poetry Center. I still remember the interview. I hadn’t had to apply for a job in almost two decades, and then all of a sudden there I was: I remember sitting in my friend’s office, borrowing his phone as I talked to the Poetry Center staff about joining them that upcoming autumn.

Two years later I am all set to graduate. With the support of the Creative Writing faculty and my classmates in workshop, I have produced a novel manuscript and have read and learned so much about fiction writing. 

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Monday, April 23, 2012

Review of Paul Guest's My Index of Slightly Horrifying Knowledge

Christy DelehantyChristy Delahanty is a former Poetry Center intern, and recent graduate in Creative Writing and Linguistics from The University of Arizona.

It takes a certain attuned perspective to see "a strange maroon pelt" where a "vinyl coat in the car door" really is. Or "red math" for a digital clock. It is this propensity for the eerie everyday that lends Paul Guest's poetry a special slant. His most recent collection of poetry, My Index of Slightly Horrifying Knowledge, offers a dark look at everything from coupons and monsters to the etymology of galoshes.

Though most of what you'll find written about Guest and his poetry pushes the sad fact of his permanent childhood paralysis as a sort of map key to his writing, such singular pointing misses a wealth of nuance. Namely, it misses Guest's ability to take imaginative jaunts to a refreshing - if absurd - extreme, which cannot be narrowly attributed to what the book jacket calls "a life forever altered."Neither can the specific but applicable shards of historical knowledge be named symptoms of tragedy; lines like "better to cover you / beside the eastern sea / with lapidary jade / fat emperors ate hoping not to die" pile in like trivia into a treasure box.

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Tuesday, March 13, 2012

A Review of The Kingdom of Ordinary Time by Marie Howe

Erin LiskiewiczErin Liskiewicz is the marketing and publicity intern at the UA Poetry Center, and a creative writing senior at the University of Arizona, specializing in nonfiction. She will be graduating this spring.

Marie Howe is an American poet and professor at Sarah Lawrence College and New York University. Howe was a fellow at the Buntin Institute at Radcliffe College, and also received the National Endowment of the Arts Fellowship in 1992 and the Guggenheim Fellowship in 1998. Her works have been published in The New Yorker, The Atlantic, Poetry, Agni, Ploughshares, The Harvard Review, and The Partisan Review. She will be reading at the UA Poetry Center on Thursday, February 16.

Howe's latest book, The Kingdom of Ordinary Time, merges the metaphysical onto everyday life and examines the presence of the sacred in "ordinary time," where "One loaf = one loaf. One fish = one fish." By doing this, Howe reshapes the way we look at the biblical ideas that are common to many of us. She re-illustrates the idea of unconditional love in "How You Can't Move Moonlight" and portrays a more tangible faith in "The Snow Storm." Ultimately The Kingdom of Ordinary Time asks, where is the kingdom of God on earth? What is holy? And who is a part of God's kingdom?

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Monday, February 13, 2012

Jeffrey Yang: Global Juxtaposition

An AquariumJeffrey Yang is a poet and editor at New Directions Publishing. He received the 2009 PEN/Osterweil Award for his poetry collection, An Aquarium, and will be reading at the Poetry Center on Thursday, February 2.

Jeffrey Yang's An Aquarium makes us of facts, etymologies, and politics from around the globe to create a farily realistic two-dimensional version of the book's namesake. Using an alphabetical list of fish and characters such as Aristotle, Google, and the United States, Yang structures a criticism of the worst parts of human nature on a global scale. In the context of the idea of an aquarium, the metaphor of that policy as an aquarium's acquisition of foreign and endangered species for academic benefit is not lost, and is at its clearest the final poem, "Zooxanthellae," where Yang describes the atomic tests done in Bikin Atoll in the 1940s by the United States, and the subsequent studies done on those exposed to the radiation:

"In the following years, doctors from Brookhaven National Laboratory, run by the U.S. department of energy, carefully documented the 'most ecological radiation study on human beings...'"

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Tuesday, January 31, 2012

An Interview with Beth Alvarado on "Emily's Exit"

Beth AlvaradoBeth Alvarado is the author of a memoir entitled Anthropologies (University of Iowa Press, 2011) and a collection of short stories titled Not a Matter of Love (New Rivers, 2006). She lives in Tucson where, with her husband Fernando, she raised two children. She teaches at the University of Arizona and is the fiction editor for Cutthroat: A Journal of the Arts.

Beth Alvarado will be reading at the University of Arizona Poetry Center on Monday, December 5 at 7 p.m., along with Christopher Cokinos. The reading is free and open to the public.

PC: How or why did you begin writing "Emily's Exit?"

Alvarado: Several things had to come together for me to write this story. One semester I had a very religious student who would sit in my office for hours every week trying to convert me to her particular beliefs. Now I really liked this student and I knew she liked me because she was concerned about my soul. She was very smart and I found it interesting to talk to her about her beliefs but, after a while, I started wondering why she was so anxious to go to heaven. I mean, I've always wondered what could be better about heaven than earth because I find the earth so beautiful.

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Wednesday, November 30, 2011

A Review of Practical Gods by Carl Dennis

Hilary GanHilary Gan is an Education Intern at the University of Arizona Poetry Center, and is pursuing her MFA in Fiction at The University of Arizona.

Pulitzer Prize winner Carl Dennis is noted for his use of the everyday and the everyman in his poetry. He is the author many collections of poetry, including House of My Own (1974). Carl Dennis has received many awards for poetry, including the Pulitzer Prize for Practical Gods, a Guggenheim Fellowship, an NEA Fellowship, and the Ruth Lilly Poetry Prize (2000). He is currently an artist-in-residence at SUNY Buffalo in New York.



Carl Dennis will be reading at the University of Arizona Poetry Center on November 3, 2011 at 7 p.m. The reading is free and open to the public.

Carl Dennis' Pulitzer Prize-winning collection Practical Gods (2001) is a treatise on solace. He uses biblical symbolism and Roman mythology to illustrate the post-broken moment, when you have swept up the shattered glass and now your floor is slightly cleaner but you are short one tumbler in the set.  Dennis uses everyday imagery to cement the normalcy of convalescence, but the subject matter suggests a more spiritual crisis from which his poems are recovering.

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Tuesday, November 1, 2011

Breathless Intimacy: A Review of Philip Schultz' Failure

Christy DelehantyChristy Delahanty is a former Poetry Center intern, and recent graduate in Creative Writing and Linguistics from The University of Arizona.

Pulitzer Prize-winning poet Philip Schultz is the author of several collections of poetry, including The God of Loneliness: New and Selected Poems (2010), Failure (2007), Living in the Past (2004), and The Holy Worm of Praise (2002), all from Harcourt. In addition to the Pulitzer for Failure, his many awards include Fulbright, Guggenheim, and NEA fellowships. He is the founder/director of The Writers Studio, a private school for fiction and poetry writing based in New York City with branches in Tucson, San Francisco, and Amsterdam.

Philip Schultz will be reading at the University of Arizona Poetry Center on October 20th, 2011 at 7:00 p.m. The reading is free and open to the public. Join us!

The effect of Philip Schultz's 2007 collection, Failure, is an overpowering sense of fine craftsmanship and candid ambiance. With a voice plain, sure, and wholly unpretentious, he recounts smoldering moments past and present, which serve to illuminate the anxieties of family life in its varied stages. Though the title seems an epithet for "father" (both his own and the one he has become), Schultz ventures also into slices of marriage, mourns for kindred spirits of no relation, recounts the warm lamplight of one-time tenement-mates, and sings the extensive praises of canine love. In a sustained breathless intimacy, failure spans decades and coastlines ― with the New York's '70s and 2001 most heavily represented ― and oscillates between emotional insufficiency and utter wonder.

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Tuesday, October 18, 2011

Saying Something: Taking Risks with Poetry

Sarah KortemeierSarah Kortemeier holds an MFA in Poetry from the University of Arizona, and has taught creative writing at the elementary, high school, and university levels. She has published most recently with Folio: A Literary Journal at American University, where her poem "The Holdout" was selected as an Honorable Mention by guest judge Naomi Shihab Nye in Folio's 2011 Poetry Contest. Sarah serves as Library Assistant at the University of Arizona Poetry Center.

Sarah will be teaching an Introduction to Poetry at the Poetry Center on Saturdays at noon from October 29 through December 12.

Risk-taking, with its inherent exhilarations and discomforts, is an integral part of the human experience. And as in life, so in art: good art matters, and poetry that matters demands some vulnerability, some risk, on the part of the writer.  We all have something to say--but "saying something" often requires real bravery. In my introductory writing courses, I try to create an environment in which this kind of constructive risk-taking can happen in a secure, safe environment. Workshop is the poet's best friend: it's the place where writers can try out new ideas on a small, select audience whose main concern is to help the writer succeed. As writers, many of us need the encouragement of the workshop, the safe space and the sensitive readers we encounter there, in order to take the risks that make us better artists. In my upcoming Introduction to Poetry course, we'll encourage each other to make room for the wild associative leaps and flashes of insight that lead to inventive poem-making. We'll work together to move outside our normal patterns of speech and thought, and in the process we'll make some new music and find some exciting new poems. I hope you'll join us!

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Friday, October 14, 2011

The Light Does Not Warm: A Review of Joni Wallace's Blinking Ephemeral Valentine

Elizabeth FalconElizabeth Falcón is an MFA poetry student at the University of Arizona. She is also the Education Intern at the UA Poetry Center and maintains the Poetry Center's education blog, WordPlay. She is a TPAC rostered teaching artist and has taught several residencies at Corbett Elementary School in Tucson. In addition to pursuing her own writing, she aspires to help children fall in love with poetry as a teaching artist in the schools.

Mary Jo Bang will be reading with Joni Wallace at the Poetry Center on October 6, 2011 at 7 p.m. at the University of Arizona Poetry Center.  Joni Wallace will be leading a shop talk on Mary Jo Bang's work on October 4 at 6 p.m. prior to the Oct 6. reading. Both events are free and open to the public. Join us! To read an interview between Mary Jo Bang and Joni Wallace, click here.

Joni Wallace's debut poetry collection, Blinking Ephemeral Valentine (Four Way Books, 2011), was selected by Mary Jo Bang for the 2009 Levis Prize. Joni grew up in Los Alamos, New Mexico, and earned her MFA from the University of Montana. She lives in Tucson and is currently working on a series of poems tracking the migration paths of mule deer.

Joni Wallace's Blinking Ephemeral Valentine is one of those rare books that haunts the reader afterwards with its language, mood, and images. The poems are assemblages of lists, sounds, objects and they feel conscious of their craftedness, their objectification, artifacts for a reader to examine and dissect. Flashes of landscapes with odd collections of things from modern life--sequins, red cups, Lite Brite, boulevards, pigeons. Love blinking on and off in the cold slush of winter. Just enough narrative to grasp the moment. Anaphoric echoes. Eerie pulses of quiet and disquiet.

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Tuesday, October 4, 2011

A Banquet of Imagery: Mary Jo Bang's The Bride of E

Christy DelahantyChristy Delahanty is a former Poetry Center intern, and recent graduate in Creative Writing and Linguistics from The University of Arizona.

Mary Jo Bang will be reading with Joni Wallace at the Poetry Center on October 6, 2011 at 7 p.m. at the University of Arizona Poetry Center.  Joni Wallace will be leading a shop talk on Mary Jo Bang's work on October 4 at 6 p.m. prior to the Oct 6. reading. Both events are free and open to the public. Join us! To read an interview between Mary Jo Bang and Joni Wallace, click here.

Mary Jo Bang's books of poetry include Elegy (Graywolf Press, 2007), which received the 2007 National Book Critics Circle Award for Poetry and was listed as a New York Times 2008 Notable Book, and The Bride of E (Graywolf Press, 2009). She was the poetry co-editor at Boston Review from 1995-2005, and has been the recipient of the Alice Fay Castagnola Award from the Poetry Society of America, a Guggenheim Fellowship, and a Hodder Fellowship from Princeton University. She is a professor of English at Washington University in St. Louis. Her translation of Dante's Inferno, with illustrations by Henrik Drescher, will be published by Graywolf Press in July 2012.

Perhaps the first thing to notice about Mary Jo Bang's The Bride of E is the heft of it. The book itself is slim, but the pages are dense with the poetic conventions of allusion and self-referentiality, peppered with recursion and persistent themes. What results is an intensely playful work, singing in spite of its heavier truths.

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Friday, September 30, 2011
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