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Christy Delahanty

Review of Paul Guest's My Index of Slightly Horrifying Knowledge

Christy DelehantyChristy Delahanty is a former Poetry Center intern, and recent graduate in Creative Writing and Linguistics from The University of Arizona.

It takes a certain attuned perspective to see "a strange maroon pelt" where a "vinyl coat in the car door" really is. Or "red math" for a digital clock. It is this propensity for the eerie everyday that lends Paul Guest's poetry a special slant. His most recent collection of poetry, My Index of Slightly Horrifying Knowledge, offers a dark look at everything from coupons and monsters to the etymology of galoshes.

Though most of what you'll find written about Guest and his poetry pushes the sad fact of his permanent childhood paralysis as a sort of map key to his writing, such singular pointing misses a wealth of nuance. Namely, it misses Guest's ability to take imaginative jaunts to a refreshing - if absurd - extreme, which cannot be narrowly attributed to what the book jacket calls "a life forever altered."Neither can the specific but applicable shards of historical knowledge be named symptoms of tragedy; lines like "better to cover you / beside the eastern sea / with lapidary jade / fat emperors ate hoping not to die" pile in like trivia into a treasure box.

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Tuesday, March 13, 2012

Breathless Intimacy: A Review of Philip Schultz' Failure

Christy DelehantyChristy Delahanty is a former Poetry Center intern, and recent graduate in Creative Writing and Linguistics from The University of Arizona.

Pulitzer Prize-winning poet Philip Schultz is the author of several collections of poetry, including The God of Loneliness: New and Selected Poems (2010), Failure (2007), Living in the Past (2004), and The Holy Worm of Praise (2002), all from Harcourt. In addition to the Pulitzer for Failure, his many awards include Fulbright, Guggenheim, and NEA fellowships. He is the founder/director of The Writers Studio, a private school for fiction and poetry writing based in New York City with branches in Tucson, San Francisco, and Amsterdam.

Philip Schultz will be reading at the University of Arizona Poetry Center on October 20th, 2011 at 7:00 p.m. The reading is free and open to the public. Join us!

The effect of Philip Schultz's 2007 collection, Failure, is an overpowering sense of fine craftsmanship and candid ambiance. With a voice plain, sure, and wholly unpretentious, he recounts smoldering moments past and present, which serve to illuminate the anxieties of family life in its varied stages. Though the title seems an epithet for "father" (both his own and the one he has become), Schultz ventures also into slices of marriage, mourns for kindred spirits of no relation, recounts the warm lamplight of one-time tenement-mates, and sings the extensive praises of canine love. In a sustained breathless intimacy, failure spans decades and coastlines ― with the New York's '70s and 2001 most heavily represented ― and oscillates between emotional insufficiency and utter wonder.

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Tuesday, October 18, 2011

A Banquet of Imagery: Mary Jo Bang's The Bride of E

Christy DelahantyChristy Delahanty is a former Poetry Center intern, and recent graduate in Creative Writing and Linguistics from The University of Arizona.

Mary Jo Bang will be reading with Joni Wallace at the Poetry Center on October 6, 2011 at 7 p.m. at the University of Arizona Poetry Center.  Joni Wallace will be leading a shop talk on Mary Jo Bang's work on October 4 at 6 p.m. prior to the Oct 6. reading. Both events are free and open to the public. Join us! To read an interview between Mary Jo Bang and Joni Wallace, click here.

Mary Jo Bang's books of poetry include Elegy (Graywolf Press, 2007), which received the 2007 National Book Critics Circle Award for Poetry and was listed as a New York Times 2008 Notable Book, and The Bride of E (Graywolf Press, 2009). She was the poetry co-editor at Boston Review from 1995-2005, and has been the recipient of the Alice Fay Castagnola Award from the Poetry Society of America, a Guggenheim Fellowship, and a Hodder Fellowship from Princeton University. She is a professor of English at Washington University in St. Louis. Her translation of Dante's Inferno, with illustrations by Henrik Drescher, will be published by Graywolf Press in July 2012.

Perhaps the first thing to notice about Mary Jo Bang's The Bride of E is the heft of it. The book itself is slim, but the pages are dense with the poetic conventions of allusion and self-referentiality, peppered with recursion and persistent themes. What results is an intensely playful work, singing in spite of its heavier truths.

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Friday, September 30, 2011

Improving the Taught Toolbox: A Review of Thomas Sayers Ellis

Christy DelahantyM. A. K. Halliday, a prominent British linguist, has expressed the difference between written and spoken language thus: "While the complexity of conscious language is dense and crystalline, formed by a closely-packed construction of words and word clusters, the complexity of unconscious language is fluid and choreographic." If we, like Halliday, are used to such a distinction being upheld -- in the differences between newspapers and small talk or memos and meetings -- then Thomas Sayers Ellis' Skin, Inc.: Identity Repair Poems will at first seem strange indeed.

Ellis, commenting on poetry's split into spoken-word and academic camps, stresses that his aim is "to make every line do both." And because his most recent collection is a book rather than a performance or a recording, his lines strike their reader as shockingly choreographic for their form.

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Thursday, September 15, 2011

Inspiration for Creative Writing Clubs Everywhere

Christy Delahanty"I see your spider legs and raise you an octopus tentacle."

The only legible phrase on our recently-decorated banner is also - though it does loosely correspond with the crayoned-in contents of the bubble letters - nonsensical. This doesn't matter.

The English and Creative Writing Club is among hundreds of recognized organizations on the University of Arizona campus and at least a handful of special interest - that is, non-exclusive - clubs. When I was became vice president my sophomore year, I wasn't worried; I knew the drill. Mostly due to low membership, the activities had dwindled to the bare bones of annual projects - chapbook, outreach, outreach - and the weekly meetings revolved around these bones.

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Thursday, January 27, 2011

HOWL: A review

You would think that "starving, hysterical, naked," the most iconic phrase of Allen Ginsberg's poem "HOWL" and perhaps even of the Beat Generation, would come to describe the film built to represent it. Rob Epstein and Jeffrey Friedman's film, however, is a nontraditional docudrama soaring through windows of courtrooms, coffeehouses, and Ginsberg's immaculate apartment, searching for cohesion with audience in tow.  At first it seems that Epstein and Friedman may have missed the mark with adorable Franco, his trendily decorated apartment, smoothed-over CGI (computer-generated imagery) sequences, and such a higher-ed slant on obscenity trials that university affiliates whooped during the screening. But then you realize what happened: The writer/directors hit their mark just fine, missing Ginsberg's by - dare I say a generation? - without so much as a nod to the distinction.

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Tuesday, November 2, 2010
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